January 27, 2023, 7 PM
University of Nebraska at Omaha B.O.C.H. Festival Faculty Recital
Strauss Performing Arts Center
Omaha, NE, USA
Appearing as recitalist
March 9, 2023
UNO School of Music Faculty Recital
Strauss Performing Arts Center Recital Hall
Omaha, NE, USA
Full recital of works for double bass (repertoire TBA)
June 10, 2023
International Society of Bassists 2023 Convention
University of Michigan
Ann Arbor, Michigan, USA
Appearing as recitalist & chair of composition competition recital
mid-June to July 23, 2023 (performances from July 1 – July 23)
Des Moines Metro Opera Summer Music Festival
Blank Performing Arts Center
Indianola (greater Des Moines area), IA, USA
In residence (in-person) as the principal double bassist of the DMMO orchestra 2023 Season: Carmen(Bizet), Bluebeard's Castle (Bartok), The Love For 3 Oranges (Prokofiev), Falling and the Rising (Redler)
After graduating with a BM from Indiana University (Bloomington) as a double bass student of Bruce Bransby, Jeremy Baguyos began an orchestral career that included full-time appointments with the Orquesta Filarmonica de GC (Spain) and the Shreveport Symphony as well as freelance engagements that included, among many other groups, performances with the Kennedy Center Opera House Orchestra, the National Symphony, the Milwaukee Symphony, the Kansas City Symphony, and the Spoleto Festival Orchestras. He has performed under the batons of Leonard Slatkin, Mstislav Rostropovich, James Levine, Andre Previn, Placido Domingo, Valery Gergiev, and Michael Stern. Highlights of his solo and chamber music engagements include appearing as soloist with the Columbus Philharmonic (Indiana), as soloist with the Heartland Philharmonic, in multiple appearances at the International Society of Bassists Convention, and performing the solo double bass with the Orquesta Filarmonica de Gran Canaria on the Fourteenth Symphony of Dimitry Shostakovich.
Mr. Baguyos is Principal Bass of the Des Moines Metro Opera Orchestra and is Professor of Music in doule bass (classical & jazz) & music technology, at the University of Nebraska Omaha.
His academic cognate is computer music, which he applies broadly, from "artificially intelligent" musical improvisation to S.T.E.A.M to audio forensics. He holds a Master’s Degree in Computer Music-Performance Track from the Peabody Institute of Johns Hopkins University and is active nationally and internationally as a composer, performer, and researcher in the field of academic computer music, with notable presentations and performances at the ICMA International Computer Music Conferences and publications with the MIT Press and ICMC Proceedings.
"On on my primary performance medium, the double bass, I endeavor to acquire and impart in my students, a technique that implements an eloquent and refined musical expression that is consistent, unencumbered, and pure, informed by formidable intellectual rigor and curiosity, grounded at the intersection of tradition and innovation, and often times mediated through digital representation/transformation and cogent interdisciplinary sensibilities."